November 14, 2006
Satana by Bruce Timm
I have a number of Bruce Timm's drawings that fans have collected throughout the years. This man can take almost any character that I love and render them beautifully. While we've come to associate the Timm style as being cartoon-like, his women are undeniably sexy. This is Timm's rendition of Satana--I love this seductive pose--it could make any man lose his soul. Timm used Romita's original costume design, too, gotta give him bonus points for that! Nuff said.
November 11, 2006
Werewolf By Night Returns in 2007
This is exciting news. At the end of Friday's Cup of Joe in Newsarama, there's a sneaky solicitation for a one-shot special called Legion of Monsters #1: Werewolf By Night. Written by Mike Carey and drawn by Greg Land! This looks like the classic Jack Russell--Land doesn't try to redesign the Ploog model, doesn't try to make him dog-like or anything. (Dog-like Werewolves are my pet peeves, no pun intended.) Here's the blurb:
In the first of three high-octane horror comic one-shots, Werewolf by Night returns to the Marvel Universe! This shocking story by X-Men's Mike Carey and Ultimate Power's Greg Land (in the comic he's waited his whole life to draw!) is a powerful, brutally terrifying tale that will redefine Jacob Russel forever! And as if that wasn't enough - join writer/artist Skottie Young in a no-holds-barred look at the afterlife of the Monster of Frankenstein! It's an extra-length comic at no extra price, and it's destined to keep you sleeping with your lights on…till the upcoming Legion of Monsters: Morbius and Legion of Monsters: Man-Thing!
Greg Land has waited his whole life to draw Jack Russell? Yes, he's a real true believer, and that cover looks fantastic! I can't wait to read this. Nuff said.
Posted by Kid Flash at 10:41 AM | Permalink | Comments (0)October 31, 2006
Happy Halloween 2006: Our Favorite GR cover
We hope you've enjoyed our look back at Ghost Rider. Visually speaking, you just can't go wrong with a skull surrounded by flames. Whether Roy Thomas or Gary Friedrich or Mike Ploog came up with the idea, it's genius, and it's inspired many comic book covers, paintings, and tattoos. Our favorite Ghost Rider cover of all time was Ghost Rider V2 #15 by Texeira (scanned here from a beat-up copy). This cover was great because it actually glowed in the dark! It was so popular that Marvel actually did two printings with different backgrounds. Now if only they would make a glow in the dark t-shirt with that image. Nuff said.
Ghost Rider Part 6: Escape From Hell
Marvel has tried several times to revive Ghost Rider during the past five years. There were two mini-series, one written by Devin Grayson (Hammer Lane) and the other by Garth Ennis (Road to Damnation). Both mini-series used Johnny Blaze as the Ghost Rider. Grayson tried to portray Johnny as a family man getting overtaken by the Ghost Rider curse once again, while Ennis simply put Blaze in Hell, with no explanation to past continuity. Ennis' mini-series had fantastic painted artwork by Clayton Crain, but the story was utterly incomprehensible to me.
In the new Ghost Rider series, written by Daniel Way, Johnny Blaze escapes from Hell and into a whole new series of adventures. Comic Book Resources just put out this nifty interview with Way which summarizes Ghost Rider #1-4 and gives you an idea of what will happen in Ghost Rider #5-8. How Johnny Blaze made it into Hell in the first place will be explained later, and Way will put his own spin on why Blaze is the Ghost Rider. Blaze's new raison d'etre is to capture the 666 pieces of Lucifer that have shattered over the Earth and destroy them. The problem is that everytime Blaze kills one of them (hosted in a human body), the other remaining pieces get stronger. Is it just me or does this sound a lot like Highlander? And like the 70s series, there will be a dual nature aspect to the Ghost Rider--Johnny Blaze will once again fight for control over the Spirit of Vengeance.
Way's dialogue is actually very funny in many scenes dealing with Satan. Dr. Strange makes an attempt to stop Ghost Rider, just like he did in the 80s comic, but this time he should be "cursed for a novice" because he acts like a buffoon. Having the 80s Ghost Rider art team (Javier Saltares and Mark Texeira) return to the character was a very good idea, as they are better than ever. While this series is about Johnny Blaze, Ghost Rider is visually styled after the Ketch version, with the spiked jacket and chain. Blaze can also utilize Ketch's powers, like the Penance Stare. There's a lot to quibble about, but it's still a fun book to read for mindless entertainment. I suspect I'll stay with it for a while. One of my favorite horror artists from Warren magazines, Richard Corben, is slated for a two-parter in issues 6-7. Nuff said.
Posted by Kid Flash at 3:23 PM | Permalink | Comments (0)October 27, 2006
Ghost Rider Part 4: Who is Daniel Ketch?
When Ghost Rider rode back into comic book stores in 1990, fans welcomed the character back as they never had before. Written by Howard Mackie and drawn the art team of Javier Saltares and Mark Texeira, this all-new Ghost Rider became one of Marvel's highest selling series. Whereas previous writers made an intricate story between the Ghost Rider and Satan, Mackie abandoned that approach to portray a character stripped down to his minimalist roots, encapsulated by the slogan: Spirit of Vengeance!
In the first few pages of Ghost Rider Volume 2 #1, we meet the host for the vengeful demon: Daniel Ketch. (Readers of the Busiek-Ross MARVELS book may remember that Ketch shows up on the last page of the story.) We know nothing of this fellow other than he's walking through a graveyard at night with sister, Barb. They run into a gang of criminals fighting each other (one group belongs to the Kingpin) and Barb gets critically wounded. Daniel backs into a junkyard, where he discovers a mysteriously abandoned motorcycle with a glowing gas cap. After touching the gas cap, Daniel gets imbued with a powerful energy.
The Ghost Rider emerges a few panels later, having possessed Daniel's body. It was clear from the start that Daniel and the Ghost Rider were separate entities, given that Daniel remembered little of Ghost Rider's nocturnal activities. All of these elements made Daniel Ketch less interesting as a person for me. I couldn't believe the way that he accidentally stumbled into these powers, which was so unlike a typical Marvel hero! Worse, I could never get a grip on Daniel Ketch's personality, his aspirations, fears, love interest, his family or friends. All the supporting characters belonging to the Daniel Ketch character all seemed too bland, too indistinct. I could never tell his girlfriend from his sister!
That said, this new Ghost Rider had a very strong visual appeal that made me buy the book as long as Saltares and Texeira drew it. While Ploog's original costume had elements in cowboy mythology, the new Ghost Rider's dark spike-laced jacket told us this was one mean motherfucker. There was a new weapon, a chain, that he could use to capture his enemies. The new Hellcycle was a cool mixture of metal and flames that defied gravity on a regular basis. Combined with the fact that the artists mostly set the Ghost Rider scenes at night (with colorists supplying the appropriate highlights), gave the new Ghost Rider an incredible visual flare.
And then there was the new power: the Penance Stare. Ghost Rider could inflect the guilty with the pain of their victims, torturing them with memories for years to come. For a Spirit of Vengeance that exists to punish the guilty, it's a fantastic power to have. All these elements that made Ghost Rider V2 a mega-hit will probably also be found in the 2007 Ghost Rider movie.
It's no coincidence that the Ghost Rider's success was surpassed only by the Punisher during this same time period. The Punisher was so popular that it took two monthly series to chronicle his pursuit of wickedly bad dudes. Naturally, Ghost Rider and Punisher teamed up often and contrasted their different means of accomplishing the same goal. The Punisher-craze ended in 1995, but Ghost Rider V2 cruised along until 1998. Like his predecessor, Ghost Rider survived by adapting into the superhero world: one arc had Ghost Rider getting captured and analyzed by S.H.I.E.L.D.
To Mackie's credit, he didn't forget about Johnny Blaze. Blaze came roaring back when he discovered a new Ghost Rider was running amok. After kidnapping Daniel Ketch, Blaze nearly killed the Ghost Rider with a hellish shotgun capable of wounding the demon. Their antagonism didn't last for long. Soon Ketch and Blaze became friends and eventually became co-stars in the spinoff title Spirits of Vengeance in 1992 (which lasted for 18 issues).
Mackie left Ghost Rider with issue #69. In all that time, he had never written a backstory explaining the connection between Ghost Rider and Daniel Ketch. Who was the demon that possessed Daniel Ketch? Mackie's Wikipedia entry provides some interesting insights into this question. It could be that like Wolverine, Mackie felt Ghost Rider's origin was best left shrouded in mystery. The writer who took over Ghost Rider, Ivan Velez, explored this territory in detail. His stories indicated that Daniel Ketch and Johnny Blaze were brothers and became Ghost Riders because of a terrible event that befelled their ancestor, Noble Kale. This origin is detailed fully in the Ghost Rider Wikipedia article. I don't quite like this origin, as it mutes the impact of Marvel Spotlight #5. By making Johnny Blaze's mother responsible for becoming the Ghost Rider, it makes Johnny's self-sacrifice totally worthless. It's very unclear whether Velez' Noble Kale origin is canon or not. Ghost Rider V2 #93 ended with Daniel Ketch dying. Mackie brought him back in Peter Parker Spider-Man #93 and claimed the Noble Kale story was a lie. With the new Ghost Rider series underway, Marvel is actually going to publish the long lost Ghost Rider #94. Perhaps Daniel Way will explain all of this mess in his version of Ghost Rider. Nuff said.
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Posted by Kid Flash at 9:46 AM | Permalink | Comments (0)October 26, 2006
Ghost Rider Part 3: From Satan to Mephisto
Marvel's horror-craze only lasted a few years, beginning in late 1970 (with Marvel Spotlight #2 featuring Werewolf by Night) and ending during the first half of 1975 (the last issue of the black and white monster magazines). The longest lasting characters to survive the horror boom were Werewolf by Night (43 issues), Tomb of Dracula (70 issues), but Ghost Rider beat them all with 81 issues and numerous comebacks. Part of his survival is due to writer Tony Isabella (taking over when Gary Friedrich left the series) deciding to usher Johnny Blaze into the superhero population. The dramatic event occurred in Ghost Rider #9. The cover proclaimed: This is it! The final fearful Showdown with Satan!
As Tony Isabella said in his interview with Alex Ness at Pop Thought: "When I was assigned to write GHOST RIDER, two things were obvious to me. Without artist Mike Ploog, the supernatural-based stories weren't working as well as they had during his stint on the book, leading me to consider whether or not that book might sell better if I emphasized the super-hero aspects of the title. The second thing was that there were plenty of Satan avatars active in the Marvel Universe, but precious little evidence of the loyal opposition. I hit a point in the extended storyline where it made wonderful sense to have Jesus Christ prevent Satan from claiming Johnny Blaze's soul."
From that point forward, Johnny Blaze became more of a superhero and less of a demonic figure. Issue #11 featured him holding his own against the Hulk. Ghost Rider made numerous appearances in Marvel Team-Up and Marvel Two-In-One, then joined a west coast superhero team called The Champions. He teamed up with Daredevil and even dated Matt Murdock's old girlfriend, Karen Page.
After a few years of superhero oriented stories, horror themes crept back into the series. Jim Starlin wrote and drew a memorable single issue story in issue 35 ("Death Race"), where Johnny Blaze must outrace the personification of Death (a Starlin favorite). Death rides a Harley and Johnny must cheat in order to win! While this issue was set in a flashback, it makes a point in the opening caption: "A memory of another time, another desert...a time when the curse of the Ghost Rider was less consuming, more under control". Writers like Roger McKenzie and Michael Fleisher had started writing the Ghost Rider with his own distinct personality. Johnny Blaze suddenly had no control over the Ghost Rider, but it was something the writers failed to explain.
Roger Stern fixed that when he came onboard as regular writer with Ghost Rider #68. He retold the classic origin story from Marvel Spotlight #5, but with a difference: Satan was replaced with Mephisto. In the Marvel Comics that existed in 1982, there was no room for Satan any longer. Despite this revision, the handful of issues that Stern wrote were a breath of fresh air. Stern also explained that Blaze lost control of the Ghost Rider after his initial adventures. We see that now the Ghost Rider exists to punish the guilty--in this issue he scares a Catholic priest to the point of insanity. Issue 69 has the Ghost Rider screaming "I am VENGEANCE!" to his latest victim. Later, Ghost Rider proclaims himself to be "the Spirit of Vengeance", which became the subtitle for the Daniel Ketch character.
By the time Ghost Rider's final issue #81 was published, we had a name for the demon possessing Johnny Blaze: Zarathos. Blaze and Zarathos battled for the right to stay on Earth, with the loser getting exiled to Hades. Like she did in the very first Ghost Rider tale, Roxanne Simpson saved Johnny with the strength of her love. With Zarathos trapped inside Mephisto's realm, Blaze rode off into the sunset with his sweetheart, free at least from the nightmare of Ghost Rider. It seemed appropriate at the time, in the Shooter-era Marvel Comics, with Secret Wars and Alien Symbiote costumes--was there any room for a supernatural hero? We thought we had seem the last of that flaming skull...but his most popular days were yet to come. Nuff said.
See also:
Mike Ploog's Classic Ghost Rider
Ghost Rider Part 2: The HellCycle
Continue reading "Ghost Rider Part 3: From Satan to Mephisto" »
Posted by Kid Flash at 2:56 PM | Permalink | Comments (0)October 25, 2006
Ghost Rider Part 2: The HellCycle
In the beginning, Johnny Blaze rode an ordinary motorcycle on his nightly excursions. But when your skeletal body is shooting fire Every Which A Way But Loose*, how practical is that really? Your bike could explode at any given moment! Not to mention that Johnny Blaze was getting sucked into Hell regularly and when he came back to Earth, his bike couldn't be found! Well, after Johnny Blaze shook hands with Satan in issue #2, issue #3 had the answer.
In "Wheels of Fire", Gary Friedrich concluded his epic tale that introduced the Son of Satan to the Marvel Universe. Daimon Hellstrom had rescued both Johnny Blaze and Linda Littletree from Hell. Linda had been possessed by the Devil and had become "Witch Woman", givin' Johnny Blaze nothin' but red hot pants trouble for three issues. When the Son of Satan dumps Johnny miles away from the nearest city, he realizes he's in a mess of trouble.
His human body had taken on critical injuries and without goin' to a hospital, Johnny would be stuck in Satan's realm for good. Linda teaches Johnny to focus his Hellish powers and concentrate on the image of a motorcycle! "Brain's about to burst!" Johnny yells, which is how I feel readin' a Grant Morrison comic!
Out of the ether, Johnny creates the flamin' HellCycle! It took an incredible effort the first time, but later Johnny would be able to recreate the cycle with ease. Now he could ride anywhere without settin' his gas tank on fire! The only restriction is that when the Ghost Rider becomes Johnny Blaze at dawn's early light, the HellCycle disappears as well. Linda reminds Johnny of this fact twice before he takes off for the nearest city. Hint, hint, what's comin' next?
Friedrich and Jim Mooney show us the consequences of not listenin' to a wise woman! Ghost Rider reaches the outskirts of the city by dawn. He reverts to Johnny Blaze just as he's leapin' onto a freeway, and the HellCycle evaporates in mid-air!
There's a massive pile-up on the freeway as trucks and cars collide into each other. Johnny lays injured on the side of the freeway, but at least he gets medical attention as soon as possible! I think this is a legal case that only She-Hulk could handle: drivin' your HellCycle within 30 minutes of dawn is a felony offense in the Marvel Universe! Nuff said.
* Forgive Dick from referencing this Clint Eastwood trucker movie. -- Kid Flash, Ye Editor.
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Posted by Cousin Dick at 9:43 AM | Permalink | Comments (0)October 24, 2006
Mike Ploog's Classic Ghost Rider
1972 was a banner year for Marvel Comics horror characters. With Monster of Frankenstein and Werewolf by Night successfully launched in their own titles, editor Roy Thomas decided it was time to "horrify" an old western character called Ghost Rider. I had already fallen in love with Ploog's artwork, but his work on the first three Ghost Rider tales made me his eternal worshipper. I had anticipated the debut issue ever since I had seen that flaming skull in the Marvel Bullpen Bulletins.
Like the previous monster series, Marvel once again turned to writer Gary Friedrich and artist Mike Ploog, who said in this interview: "When I first heard of Ghost Rider, I thought it was a Western, going back to the Frazetta-drawn Ghost Rider riding around on the white horse."
Ghost Rider was different from most of the Marvel horror series. Whereas Dracula, Frankenstein, and the Werewolf were Marvel-ized version of popular horror characters, Ghost Rider was completely original. Not even Man-Thing could claim to be totally unique, having had a famous predecessor in the Heap.
Surely the concept of making Ghost Rider a motorcycle bound hero came from the popularity of Evel Knievel, who set world records jumping over cars, buses, and had spectacular wipeouts that shattered almost every bone in his body. As Ploog recalled: "I think my first reference point was Evel Knievel, who was popular at that time. I went through some magazines and did a little bit of research, but not a whole lot. What I saw about Knievel wouldn't work for someone who just sold part of his soul to the devil."
In the debut issue, we first see Ghost Rider emerging from a street at night. After taking down some two-bit thugs, he turns back into his human alter ego-Johnny Blaze. We find out that Ghost Rider is a bit like the Werewolf-he becomes the Ghost Rider at night (every night) and returns to Johnny Blaze (who runs a Knievel-like motorcycle show) during the daytime. Unlike the Werewolf or the Hulk, he doesn't have a dual personality-Blaze is fully in control as the Ghost Rider, though later writers, most notably Roger Stern, would change this later on.
Besides an ability to cast hellfire and invulnerability to bullets, Ghost Rider didn't have many other powers. In the beginning, the sight of his flaming skull made almost any weak-willed thug pee in their pants. Johnny Blaze figured out that speaking in biblical terminology would throw the fear of God into anyone. Again, the writers who came on board later twisted this around, making it the speech of the demon (Zarathros) that possessed the Ghost Rider to speak in this manner.
What makes a Marvel character the most noble? A combination of tragedy plus the capacity for self-sacrifice. Ghost Rider had both qualities in his origin. When Johnny Blaze was a young boy, his father (Barton Blaze) died in a stunt motorcycle show. The show's owner, Crash Simpson, adopts Johnny as his own son. Johnny learns how to ride motorcycles and perform daredevil stunts along with Roxanne Simpson (Crash's daughter), who would become Johnny's girlfriend. One day while training, Johnny's bike surges out of control and kills his adopted mother. On her deathbed, she makes Johnny promise never to ride in the show again. Johnny makes good on his promise until discovers that Crash is dying of cancer-at the very moment their motorcycle show gets booked into Madison Square Garden. What's a boy to do? Johnny summons Satan and sells his soul in return for sparing Crash's life from cancer.
But here's what ya gotta appreciate about Satan: he knows the loopholes in any deal! Crash attempts a world record breaking jump in Madison Square Garden, misses the ramp, and dies in the end. Johnny, furious with rage and sorrow, jumps on his bike and successfully makes the jump on his own. Roxanne, pissed because Johnny could have done it earlier and spared Crash's life, walks out on him (the first of many times). Then Satan comes calling to claim Johnny's soul: "From this day forth…you will walk the earth as my emissary in the dark hours…and in the light, you will join me in Hades!" But before Johnny gets sucked into the netherworld, Roxanne appears and saves him with the purity of her love. Corny ain't it?
There's something of a goldmine here for future tales of Johnny Blaze. How did he summon Satan so easily in the first place? How did Roxanne manage to blunt the edge of Satan's curse and keep Johnny earthbound? She claims she read Johnny's Satanic verses behind his back and knew what to do at the right moment. Daniel Way has mentioned some of these elements in an interview regarding the current Ghost Rider series. If you read this Wikipedia article on Ghost Rider, you will see that various writers tried to explain away Satan (replaced with Mephisto) and concocted a link between Johnny Blaze and Daniel Ketch (the 80s Ghost Rider), making them brothers and ancestors of a long line of Ghost Riders. I put these retcons in the same bucket as the Son of Satan revisions. Sadly, the 2007 movie will go the Mephisto route-one can only assume this is to make the film palatable for evangelicals! Personally, I feel like they replaced Dr. Doom with Paste Pot Pete.
The film version will probably be a blend of the Johnny Blaze Ghost Rider along with the 80s Daniel Ketch (Spirit of Vengeance) version. I'll always prefer Ghost Rider Classic, which really only existed in Marvel Spotlight 5-8. The first appearance, which had Ploog doing both pencils and inks, stands right up there with Berni Wrightson's work on Swamp Thing #1. Who could resist Mike Ploog's rendition of this ghostly figure, especially in this panel where Johnny Blaze goes to sleep in a cemetery? Nuff said.
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Posted by Cousin Dick at 10:50 AM | Permalink | Comments (0)October 23, 2006
Satana the Devil’s Daughter: A Symbol of Women’s Lib
Satana, the Devil's Daughter, was conceived by Marvel at the same time as the Son of Satan. In Marvel Spotlight #12 (Hellstrom's first solo story), Daimon says to Johnny Blaze: "…until I gain the final, ultimate revenge-for what he did to my mother and sister!*" Roy Thomas' editorial note follows the asterisk: "*More on the mother next ish! And as for his sultry sister Satana, you can get a fleeting glimpse of her in our current giant-size Vampire Tales #2, now on sale!"
The original model for Satana was developed by Roy Thomas and John Romita. Satana was a succubus, able to steal men's souls with a kiss. She was taught black magic as well, but unlike Daimon, in the beginning she was loyal to Satan. In Marvel Spotlight #13, Satana sacrifices a cat to her father's name, much to the horror of her (human) mother. While Satana never had a strong run of stories, in many ways her debut in Vampire Tales #2 was the most remarkable story of all. It left an impression on me that I'll never forget.
It was a four page story by Thomas and Romita. Romita's artwork was stunning in black and white. It starts off wordlessly, with a classic Romita girl-with his Romance background-walking through the deserted streets of New York City at night. She looks apprehensive, afraid-then looks back at the sound of footsteps following her.
Satana turns a corner and walks into an alleyway. She gets cornered by a rough looking man. Romita's craftsmanship is undeniable her, as he does a close-up on the girl's horrified face. I read this as a 12-year old kid. I didn't know what rape was, but I knew something bad was going to happen to this pretty, innocent looking girl.
Things start to shift around when the rapist removes the girl's overcoat and finds Satana's breast-bearing sexy outfit. He thinks this is going to be a lot of fun. Then Satana suddenly takes his head and kisses him. Now she's in control, using her sexuality as a weapon: "Yes, indeed, that's the way I want it!" And now it's the rapist who is afraid!
Satana is triumphant in the last few panels. The rapist is dead and she's eaten his soul. She takes off her overcoat, scarf, and headpiece, walking away casually with her long hair dangling behind her back. Now Satana is walking down the street at night, unafraid of anything! To fully appreciate this story, you have to remember that it was published in 1973, the era of the sexual revolution and the women's liberation movement. Women in the United States were going to college, getting jobs, burning their bras, and realizing that they didn't have to be married to scum-bag husbands who cheated on them left and right. In four pages, this story symbolizes that societal change perfectly. John Romita, who drew hundreds of classic Romance stories featuring helpless young women vying for the attention of handsome suitors, used his skills to draw a woman who feigns innocence, then takes charge. Fantastic work, I only wish Romita had worked more in the black and white medium. Nuff said.
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Posted by Kid Flash at 10:27 AM | Permalink | Comments (2)June 2, 2006
Zombie Resurrected
It's old Horror week at Marvel. At Wizard World Philly 2006, they announced that the Zombie is returning as well as the Son of Satan. Unfortunately, they are completely rebooting the Zombie from scratch. It makes sense--heck, there are only about a couple dozen of us left who remember the black and white Tales of the 
Zombie? A reboot makes sense from Marvel's point of view, but I think the writer, Mark Raicht, is missing something:
"This is an ensemble piece, but our main character is Simon Garth who is an Assistant Bank Manager. He is nothing special at the beginning of the story. Just a guy caught up in a bank robbery trying to survive. He makes a few semi-heroic choices that lead him into a Zombie nightmare of pretty epic proportions. Layla is a teller at the bank. Simon, and just about every other guy at the bank, has a crush on her. She's probably a bit too much woman for all of them though. She's also tough as nails and pretty opinionated. Not things that would endear you to a bank robber.
"Gyp is a bank robber. He hates Simon. He wants this money and he wants to get away. When the Zombies show up they're just another obstacle to him."
Huh, keeping the Simon Garth character but making him a plain old assistant manager? The original Zombie stories had a good deal going with making Garth a powerful boss of his own coffee company, then taking it all away by getting Zombi-fied and making matters worse by having him take orders from whoever wielded the amulet of Damballah. What the heck, I'm cranky--Raicht is probably going for humor in this tale. Nuff said.
Posted by Kid Flash at 3:01 PM | Permalink | Comments (0)
