I just finished a 36 hour marathon: The Wire, Seasons 1, 2, and 3. I wouldn't have believe any series could trump Lost, The Shield, or even HBO's own The Sopranos, Deadwood, or Rome--but The Wire does. And the funny thing is, I wanted to give up watching after the very first episode. Now I am such a rabid fan that I will probably sign up for HBO, so I can see Season 4 that starts this Sunday, September 10th.
The Wire moves at an almost glacial pace. David Simon, the creator/head writer/producer behind the series, says it's a novelistic approach. The first season is about the drug wars in Baltimore, Maryland, where a drug lord named Avon Barksdale and his right-hand man, Stringer Bell, have a sophisticated organization of runners that constantly elude the police. While the drug pushers are highly sophisticated, the police are mired in bureaucracy. Only Detective Jimmy McNulty has the balls to talk to a judge, who instigates the need for a specialized team to be formed. The realism in this series--from the drug pushers to the bureaucrats to the police to the kids on the street--is so intense that it will ruin you for other police procedurals. But just like the best novels, once things build to a certain point, the interactions between the characters never stops boiling.
I've never seen a series that humanizes all the players in the drug trade, from the politicians on down. The first season primarily centers on Barksdale and Bell (B&B Enterprises), who make so much money that they've bought real estate in Baltimore's better neighborhoods. At the end of the first season, the police team that made up The Wire is disbanded. The second season centers on criminal activities in Baltimore's shipping docks with the stevedores union. Rather than have the entire team come together in episode one or two, it takes almost half of the episodes before the entire team comes together--and by this time, you're completely hooked into all the minutiae. While the stevedore union saga plays out, Stringer Bell is very active in the background, and takes center stage when Season 3 starts up. I can't really say what the theme of Season 3 is without ruining the surprise, but let's just say it was that kind of Swamp Thing/MiracleMan/V For Vendetta moment, where a writer takes a concept (in this case about the drug trade and police work) and totally flips it around.
You should rent The Wire at the very least--don't give up until you've at least seen episodes 1-4. If you've read James Ellroy, you'll love it--especially if you watch them for the first time on DVD and are able to connect the various events that correlate between the seasons. Nuff said.
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